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  • The 2009 Sarasota Folk Festival: Al Fuller

    Al Fuller
    Mar. 11, 2009
    Al Fuller

    As we mentioned previously, The 6th Annual Sarasota Folk Festival will be a whole new show this year. It has expanded to a two-day event and is now being held at Oscar Scherer State Park in Osprey. The boogie is going down March 14 and 15 and will feature 30 acts on three stages. The theme this year is “Go Green” and all the vendors have pledged to use biodegradable consumables and recycle all their waste. We had a chat with a few of the artists who will be rocking out the crowd:

    Al Fuller

    Bluesman Fuller has been playing around the area for 15 years, and this will be his fifth folk fest. “I play a lot of my own songs, but I’m kind of known for my blues stuff,” he says. “I don’t know what I’m going to play this year, but I have about 300 songs to choose from.” Fuller’s biggest influences were the great old blues guys like Muddy Waters and Buddy Guy. He grew up playing piano, but at the age of 11 his parents brought home a guitar. He was hooked.

    Fuller has released five albums. His first was a solo joint, then he produced three with a full band before returning to his solo roots with his latest all-original disc, Coming Home. “I’ve had different variations of my band over the years,” he says. The current members gather together for Al Fuller’s Blues Jam at the Five O’Clock Club every Monday night. Dude is also a full-time guitar instructor at Fogt’s music store.

  • The 2009 Sarasota Folk Festival: Myakka Bluegrass

    Myakka Bluegrass
    Mar. 10, 2009
    Myakka Bluegrass

    As we mentioned previously, The 6th Annual Sarasota Folk Festival will be a whole new show this year. It has expanded to a two-day event and is now being held at Oscar Scherer State Park in Osprey. The boogie is going down March 14 and 15 and will feature 30 acts on three stages. The theme this year is “Go Green” and all the vendors have pledged to use biodegradable consumables and recycle all their waste. We had a chat with a few of the artists who will be rocking out the crowd:

    Myakka Bluegrass

    One of the local bands that will be tearing up the festival stage is Myakka Bluegrass. The group began when guitarist Brad Fitzgerald and his banjo-pickin’ wife, Lisa, started playing around the area as Myakka Folk Duo, named after the place where they were married. Over time they picked up a trio of talented bluegrass soloists including David Buescher on fiddle, Fred Knight on Dobro and Tom Hicks on bass. Fitzgerald says he and his wife “have played about every jam circle and open mic between Bradenton and Venice.”

    True to their roots, Myakka Bluegrass has always enjoyed performing outdoors. The band has played dozens of concerts at Crowley Museum and Nature Center, Myakka River State Park, the Old Miakka Schoolhouse Hootenanny and several Earth Day Festivals at Oscar Scherer State Park. “Playing bluegrass music out in nature, with the birds and bees, just feels right,” says Fitzgerald. Five years ago, he became publicity chairman for the Sarasota Folk Club. “For about three months before every festival I just try to generate as much publicity as possible,” he says. “It’s never easy, as we have no real budget, but we do what we can.”

  • The 2009 Sarasota Folk Festival: Mindy Simmons

    Mindy Simmons
    Mar. 9, 2009
    Mindy Simmons

    The Sarasota Folk Festival began in October 2003 as a one-day event held at the Crowley Museum and Nature Center in Old Myakka. That time and place suited the event just fine for the next four years, but last year, the Sarasota Folk Club decided our town deserves better. This weekend, the festival — now in its sixth year — will be a two-day event, and will be hosted down in Osprey’s Oscar Scherer State Park.

    But the length, place and time of year are not the only things different this go-’round. This time, the event’s got a theme: “Go Green.” All the vendors have pledged to use biodegradable consumables and recycle any plastic or paper materials used; they’ll also set up recycling bins for the attendees to use as well. There will be displays and exhibits set up to educate people on sustainable and renewable technology like solar panels, house weatherization and how to reduce their carbon footprint. But it ain’t all environmental lesson-learnin’. There’s obviously good music to be heard as well. We chatted with a few of the artists in the festival’s 30-act lineup:

    Mindy Simmons

    This singer/songwriter has been a Folk Festival staple since its inception, and is serving as the current president of the Sarasota Folk Club. Performing is her full-time job. “I just play, and when the bills are paid at the end of the month I say, ‘Yea,’” she says. Simmons cites her major influences as Joan Baez, Joni Mitchell, Bonnie Raitt and other female artists she listened to while growing up in the ’80s.

    “If you have music in your blood, you have to do music,” she says. “If you don’t, you will spontaneously combust. There is just something in my heart and soul that drives me to do music.” Simmons characterizes her music as an eclectic and diverse style of blues, jazz and folk. She started learning the traditional stuff as a child, then picked up the blues as she grew up, and only stumbled onto jazz later in life. She’s put out 10 full-length albums over her 30 years of playing. “I have five for sale now,” she says. “Since I’m an independent artist, I don’t reprint them when I run out. I just make a new one.”

  • Q&A: My interview with Yoko Ono (Seriously!)

    Q&A: My interview with Yoko Ono (Seriously!)

     

    Mar. 2, 2009

    Yoko Ono and St. Armand’s Circle are presenting a collection of the late, great John Lennon’s art work entitled In My Life: The Artwork of John Lennon. The exhibit will be displayed on St. Armand’s Circle in the Park on John Ringling Boulevard from March 6-8. The proceeds will benefit “Take Stock in Children,” a nonprofit that helps low-income children by providing scholarships and mentors. I chatted via telephone with Mrs. Ono in New York about the exhibit and her life with a legend.

     

    What is the charity that this exhibit is teaming up with?

     

    The gallery will be benefiting “Take Stock in Children.” They take at-risk children and mentor them and pay for their college tuition. Isn’t that great?

     

    Much of John’s work seems very simple. Did he mostly start out with just a pencil and a sketch pad?

     

    I don’t know if I like your choice of words – it’s called minimalism. He was doing this kind of thing in high school. If you see this kind of thing you wouldn’t think someone in high school would be doing it. He wanted to make things animation-like, those things weren’t vogue back then, but they are very big now. He did everything quick, so if quick is the symbol of not too good, then whatever. He didn’t have to labor or anything, it just came to him.

     

    When did John start holding art exhibits?

     

    He was getting very busy with the tour when he met me, so he thought he didn’t have time for the exhibits. He did some, like the exotic gallery in London that was raided by the Scotland Yard. I suppose in some cases they don’t want to show the exotic, they just show it in the back room. It’s all about understanding the atmosphere in the particular location.

     

    Are the pieces being displayed in St. Armands some of the same pieces that were confiscated during the art gallery raid in London?

     

    I’m not sure which they picked. Every year they pick which ones they want to use. The curator will say “this is good, but we’d like to have that one too.” In the end, the curator pretty much creates the exhibit.

     

    Which piece is your favorite?

     

    Is that in your list of questions, because everyone seems to ask that? It’s very difficult to choose. I hand pick each piece that we put out, so it’s difficult for me to pick out one.

     

    Is Sean into the visual arts too or mostly music?

     

    Now he’s just focusing on music work, I think. It is important to point out that neither John nor I ever pushed him to do anything. He is now starting to be appreciated by the New York music scene, and that is great. He is starting to draw more, and he is doing amazing things that me or John couldn’t do. John was always very proud of the fact that he wasn’t an ordinary father, he was an artist. He loved teaching Sean like that.

     

    What is the red symbol in the lower right hand corner of some pieces?

     

    It is very Asian, a traditional Chinese and Japanese thing. He picked up on it when he was in Japan. He got into classic Japanese painting. He acquired a special Japanese brush that he used in his pieces. You can see his brushstrokes are very Japanese. He did all this without saying anything to me. I didn’t really think it was necessary, but that’s what he wanted. The characters actually mean “beautiful sound like a cloud.”

     

    Who were John’s biggest musical influences?

     

    I think they were just doing want they wanted to do. He liked Elvis. There was some interesting music for instance, like American classic pop and if you look into rock and roll, there were albums that he made like American pop songs. I think it was very interesting that he studied them – American pop, rock and blues.

     

    What is your fondest memory with John?

     

    If I asked you about your wife or girlfriend, what would you say? I mean, we were together for the longest time, about 24 hours a day. Sometimes 26 hours (laughs). It was just everything.

     

    Did John usually write the lyrics or the melody first?

     

    It depends on the song, sometimes they come together. In his case they always kind of came together.

     

    Which of his songs most changed the world?

     

    Of course, people would say ‘Imagine,’ but there are many other songs that influenced people. He wrote about equal rights for women. I mean, I go take walks around Central Park and see women walking with two children in a stroller. I don’t remember that really being normal before John. With women’s rights and all that there are still some uphill struggles. I see it when I go to other countries. United States still has some problems, but a lot of Asian countries and Scandinavian countries are still having big problems. But he was a brilliant writer. Now, the world is starting to go back to a conservative mindset. The world goes very far out and then back again. It’s like the tide.

  • More talk from City Commission candidates on Sarasota job loss

    Suzanne Atwell

    Feb. 23, 2009

    For some reason, the unemployment rate hasn’t lowered at all since our coverage of Sarasota’s job crisis two weeks ago. We figured maybe if we introduced you to a few more City Commission candidates and their positions you might have a better idea of how we can fix this mess. From attracting corporations and car companies to constructing roadways and rail lines, we’ve heard a number of ideas on how to bring jobs into the city, but which ones will work?

    Jay Berman, a Sarasota born and raised financial advisor, believes, “We need to think locally, buy locally and try to work locally.” Berman thinks the city should start marketing downtown to college students on the north Trail to try and infuse money into the business district. He says some instant ways to do this would be for bars to offer college nights and empty storefronts could be used for student art exhibits. He believes if Ringling and New College students learn to love the city, they will want to stay here and start up businesses.

    Berman believes the city is not likely to ever lure huge manufacturing companies to town, but, “If you added a 20- to 25-year-old demographic you could expand, especially in the eyes of the young people, with a bunch of small companies with small crews.” He also agrees with projects like the newly approved Palm Avenue parking garage and the proposal for roundabouts. But, “The budget is going to need to be addressed. Everybody is going to have to tighten their belts and be smart looking forward with everything we do.”

    Suzanne Atwell, a mental health counselor, ran for a City Commission post four years ago and received 32 percent of the vote. She believes the issues then were dramatically different, and that differences among candidates were much more glaring. Now everything is about the economy, and she believes the whole community is floating in the same boat. “Geography is not destiny in this town anymore; because of this economy we are all lying in the weeds,” the Bird Key resident, pictured above, says. “I think we have to adapt to this economy, we need to rally businesses. These economic circumstances have delivered equal-opportunity circumstances, weather you live east or west up the Trail.”

    Atwell believes the city needs to retain jobs as well as create them. She is skeptical that the new parking garage will create jobs and was much more in favor of a mixed-use project like a conference center. She wants to look at private partnerships for things like the Van Wezel, and believes the city needs to attract baby boomers with money as well as young families who love the sun. “I think we need more civility and we need more confidence in our city government. To me, the task of a good commissioner is to arm herself or himself with the best and the brightest of the community. We are tasked with creating policy, not micromanaging.”

    Robin Harrington, a licensed real estate broker, feels the direction of the city needs to be refocused on the entire community instead of only the downtown core. “We need to stop seeing Sarasota as the new thing in Florida and get back to it being the best thing in Florida,” says Harrington. He wants to strengthen and stabilize the local economy and is more concerned about local merchants who live here rather than attracting chains and large corporations. He wants to focus on quality growth over quantity and feels too many tax breaks and bonuses are given to developers.

    “We are a four month community,” he says. “After April the tourists are gone, and we need to start branding Sarasota as a family-friendly, budget-friendly community.” Harrington believes working to bring in off-season local tourism is a much faster way to grow the economy than trying to attract companies to move here. “People want green jobs, tech jobs, corporate jobs (Boars Head just moved to Sarasota), but that takes time, we have to work with what we have to make short-term growth.”

    Despite our best efforts, we haven’t yet connected with the ninth City Commission candidate, Ray McKinon. If we ever do, you’ll be the first to know about it.

  • Q&A: As the FCAT looms, we chat with Dee Webber about tutoring Newtown students

    The assistant director of Brothers and Sisters Doing the Right Thing, Webber will be tutoring Newtown children in preparation for the upcoming FCAT tests. We sat down with her to find out more about the organization’s good works. Here’s Webber on:

    The origins of the tutoring program:

    “This program was started about 10 years ago. I was a volunteer at Emma Booker Middle School and I met a young woman named Alice Faye Jones who was tutoring one of her kids. We met and enjoyed each other and we were both in there for the same thing. She said, ‘I really want to get more involved’ and we began this program Brothers and Sisters Doing the Right Thing, which was Alice’s choice of a name. What we were seeing every day was that the children just weren’t improving. The statistics will tell you. There are only two classes at Booker Middle, Emma Booker Elementary and Booker High that are above the 50 percent level on reading.”

    Why you have to reach kids early:

    “The problem is that if we leave kids back in FCATs in third grade for two years, which we can, by the time they get to seventh grade, they are young men. If they don’t get it then, they get frustrated and angry. The hood goes up, the attitude gets sullen, and they’re gone. Now, when you get to 10th grade, if you don’t pass the two FCATs, you’re not going to get your degree. So what’s the point in staying in? I have nothing against FCATs, I think testing kids is good. The attitude before was, ‘Why bother? They’re not going to get any better.’ This way at least the teachers are held to the line; they have to keep working; they have to keep trying. But we must be doing something wrong because we are at the bottom of a list of 50 states. We do a tutoring program every Saturday of the year. Any grade second through high school can come in and get tutored. I’m there every Saturday saying, ‘Please God, let there be enough tutors.’”