Category: Q&As

  • Q&A: My interview with Yoko Ono (Seriously!)

    Q&A: My interview with Yoko Ono (Seriously!)

     

    Mar. 2, 2009

    Yoko Ono and St. Armand’s Circle are presenting a collection of the late, great John Lennon’s art work entitled In My Life: The Artwork of John Lennon. The exhibit will be displayed on St. Armand’s Circle in the Park on John Ringling Boulevard from March 6-8. The proceeds will benefit “Take Stock in Children,” a nonprofit that helps low-income children by providing scholarships and mentors. I chatted via telephone with Mrs. Ono in New York about the exhibit and her life with a legend.

     

    What is the charity that this exhibit is teaming up with?

     

    The gallery will be benefiting “Take Stock in Children.” They take at-risk children and mentor them and pay for their college tuition. Isn’t that great?

     

    Much of John’s work seems very simple. Did he mostly start out with just a pencil and a sketch pad?

     

    I don’t know if I like your choice of words – it’s called minimalism. He was doing this kind of thing in high school. If you see this kind of thing you wouldn’t think someone in high school would be doing it. He wanted to make things animation-like, those things weren’t vogue back then, but they are very big now. He did everything quick, so if quick is the symbol of not too good, then whatever. He didn’t have to labor or anything, it just came to him.

     

    When did John start holding art exhibits?

     

    He was getting very busy with the tour when he met me, so he thought he didn’t have time for the exhibits. He did some, like the exotic gallery in London that was raided by the Scotland Yard. I suppose in some cases they don’t want to show the exotic, they just show it in the back room. It’s all about understanding the atmosphere in the particular location.

     

    Are the pieces being displayed in St. Armands some of the same pieces that were confiscated during the art gallery raid in London?

     

    I’m not sure which they picked. Every year they pick which ones they want to use. The curator will say “this is good, but we’d like to have that one too.” In the end, the curator pretty much creates the exhibit.

     

    Which piece is your favorite?

     

    Is that in your list of questions, because everyone seems to ask that? It’s very difficult to choose. I hand pick each piece that we put out, so it’s difficult for me to pick out one.

     

    Is Sean into the visual arts too or mostly music?

     

    Now he’s just focusing on music work, I think. It is important to point out that neither John nor I ever pushed him to do anything. He is now starting to be appreciated by the New York music scene, and that is great. He is starting to draw more, and he is doing amazing things that me or John couldn’t do. John was always very proud of the fact that he wasn’t an ordinary father, he was an artist. He loved teaching Sean like that.

     

    What is the red symbol in the lower right hand corner of some pieces?

     

    It is very Asian, a traditional Chinese and Japanese thing. He picked up on it when he was in Japan. He got into classic Japanese painting. He acquired a special Japanese brush that he used in his pieces. You can see his brushstrokes are very Japanese. He did all this without saying anything to me. I didn’t really think it was necessary, but that’s what he wanted. The characters actually mean “beautiful sound like a cloud.”

     

    Who were John’s biggest musical influences?

     

    I think they were just doing want they wanted to do. He liked Elvis. There was some interesting music for instance, like American classic pop and if you look into rock and roll, there were albums that he made like American pop songs. I think it was very interesting that he studied them – American pop, rock and blues.

     

    What is your fondest memory with John?

     

    If I asked you about your wife or girlfriend, what would you say? I mean, we were together for the longest time, about 24 hours a day. Sometimes 26 hours (laughs). It was just everything.

     

    Did John usually write the lyrics or the melody first?

     

    It depends on the song, sometimes they come together. In his case they always kind of came together.

     

    Which of his songs most changed the world?

     

    Of course, people would say ‘Imagine,’ but there are many other songs that influenced people. He wrote about equal rights for women. I mean, I go take walks around Central Park and see women walking with two children in a stroller. I don’t remember that really being normal before John. With women’s rights and all that there are still some uphill struggles. I see it when I go to other countries. United States still has some problems, but a lot of Asian countries and Scandinavian countries are still having big problems. But he was a brilliant writer. Now, the world is starting to go back to a conservative mindset. The world goes very far out and then back again. It’s like the tide.

  • Q&A: As the FCAT looms, we chat with Dee Webber about tutoring Newtown students

    The assistant director of Brothers and Sisters Doing the Right Thing, Webber will be tutoring Newtown children in preparation for the upcoming FCAT tests. We sat down with her to find out more about the organization’s good works. Here’s Webber on:

    The origins of the tutoring program:

    “This program was started about 10 years ago. I was a volunteer at Emma Booker Middle School and I met a young woman named Alice Faye Jones who was tutoring one of her kids. We met and enjoyed each other and we were both in there for the same thing. She said, ‘I really want to get more involved’ and we began this program Brothers and Sisters Doing the Right Thing, which was Alice’s choice of a name. What we were seeing every day was that the children just weren’t improving. The statistics will tell you. There are only two classes at Booker Middle, Emma Booker Elementary and Booker High that are above the 50 percent level on reading.”

    Why you have to reach kids early:

    “The problem is that if we leave kids back in FCATs in third grade for two years, which we can, by the time they get to seventh grade, they are young men. If they don’t get it then, they get frustrated and angry. The hood goes up, the attitude gets sullen, and they’re gone. Now, when you get to 10th grade, if you don’t pass the two FCATs, you’re not going to get your degree. So what’s the point in staying in? I have nothing against FCATs, I think testing kids is good. The attitude before was, ‘Why bother? They’re not going to get any better.’ This way at least the teachers are held to the line; they have to keep working; they have to keep trying. But we must be doing something wrong because we are at the bottom of a list of 50 states. We do a tutoring program every Saturday of the year. Any grade second through high school can come in and get tutored. I’m there every Saturday saying, ‘Please God, let there be enough tutors.’”

  • Townie Q&A: Pedro Arévalo

    Pedro Arévalo, 32, could be called the bass player of Sarasota. Odds are, if you’re out and about and you see someone plunking away, it’s Pedro.

    How many bands do you play with around town?

    My father has a band called The Acoustic Pete Blues Trio, which despite its name, ranges from four to 10 people. He also has a bluegrass group called Swamp Grass. I have a flamenco group I’ve worked with for many years called The Lotus Fire. I’ll have a project with my brother starting December called Los Mosquitoes. I’ll be playing a few Saturday evenings at the Oyster Bar under my own name. I’ve been playing also with Rastus Kain; he’s a prominent blues guitarist that’s been in the area off and on for decades. The main groups I play with are not local though. Dickey Betts (of the Allman Brothers) lives here in town. I’ve been his bassist for the past five years. We did two tours in Europe over the summer. … Aside from that, I’ve been playing slide guitar with Greg Allman’s son, Devin Allman. The band is called Honey Tribe. We also did a tour of Europe this summer as well. I suppose I’m on the road between 200 and 250 days a year.

    What’s your favorite type of music?

    I like variety. I played in a number of West African groups when I lived in Boston. I got to travel with them to Africa. I played in a salsa group around town called the Vine Street Rumba Band. I love blues, country-blues, and all kind of hillbilly music like bluegrass. I love jazz, just improvisation. I consider myself an improviser. That’s my profession.

    Do you have any advice for the Sarasota music scene?

    It’s a tough scene. There’s plenty of work, but most of them don’t want to hear a lot about original music. Pandering to the tourist is the nature of the game. It’s nice downtown having the luxury to play foreign music. There’s a nice international interest, even on Lido and St. Armand’s you can get away with it. On Siesta it’s much more difficult, they want to hear Buffett. My advice is not to give in to the bars and do what you need to do to gratify yourself. Otherwise, everyone will be playing Jimmy Buffett at every venue.